The 1950s cars became lower, longer, and wider. The early 1950s saw the rise of chrome on cars, as an increasingly opulent society flourished in the United States. Many of the automobiles of the time were designed by stylists who took their influence from the transport industry in general and therefore used ideas from both planes and trains prevailing during that time.
The 1950s saw U.S. auto production exceeded that of Great Britain, France, Japan, Sweden and all other nations put together several times over, and Ford and GM - both of which produced their 50 millionth vehicle in the 1950s - posted healthy profits.
The long pent up demand for cars caused by the Depression and World War II exploded into an irrational excess in the decade of the '50's. Tailpins and chromes was the norm and that design was the brainchild of Harley Earl. The "fabulous fifties" also saw some of the most beautiful and some of the most outlandish cars ever made.
With the advent of the jet age in the 1950's came technological and design breakthroughs in the automobile. One of those was the speed with which the automobile, despite complicated compound curves and forms, could be manufactured. The jet set lifestyle had captured the hearts of the American public and car designers of the time exploited this fascination to turn out ordinarily plain-looking family cars to come out with wings, turbines and after-burner tail lights.
At first they were styling exercises, the 1955 Ford Thunderbird from Ford experimented with a wrap around wind shield, it also featured exhausts which exited through the rear valence and small turbines up front in the grill. The style of cars changed quite a bit during the 1950's. Car bodies, head lights, and old car grille styles all saw change during this time. Classic sports cars were very noticeable and old cars remain a mainstay for collectors.
1955 Ford Thunderbird Convertible
The 1957 Chevrolet Bel Air and the Ford Fairlane 500 Skyliner of 1959 showed by just name the extent to which designers looked to the skies.
1959 Ford Fairlane 500 Skyliner
However this trend ended abruptly with the 1959 Cadillac Series 62. With fins over 1 ft high and twin bullet lenses protruding rearwards, the 1959 Caddy was every bit a design icon and easily rates among the top five of all-time American classics.
Two outstanding 1950s cars were: Ford's Thunderbird and Chevrolet's Corvette. Again the two companies were fighting for the same market which was huge and the competition didn't affect those two manufacturers' bottom line. Those two outstanding cars provided enough competition to European car manufacturers like Ferrari (now owned by Fiat) and Jaguar.
Among the Big-Three automakers of the early 1950s, none was considered duller than ultra-conservative Chrysler Corporations's 1950s cars. Among Chrysler's
1950s cars , few were more plain and practical than those of the company's low-cost division, Plymouth. Occupying a niche that catered to sensible car buyers who favored solid engineering and low price over design, Plymouth had a devoted following in the 6 years immediately following World War II.
But as the 1950s progressed, public taste had changed and automobile buyers increasingly demanded flashier, more powerful 1950s cars. Plymouth responded in kind with the introduction of flamboyantly restyled 50s cars. These brash tail-finned 1950s
cars almost immediately raised Plymouth's stature from dowdy to dramatic, giving rival models a serious run.
By the late 1950s, demand for Plymouth automobiles was sustained and heightened with the introduction of Fury model in 1957 which catered to youthful, style-conscious buyers.
The Henry J motorcar introduced by
Henry J. Kaiser and his son Edgar has a four-cylinder engine and gets 25 miles per gallon. A six-cylinder engine will
be introduced as an option, but the car costs nearly $2,000, Americans who want compacts prefer Volkwagens , and although
some 127,000 Henry Js will be sold, the make will be discontinued in 1954. The larger Kaiser make will expire in 1955.
Tailfins, V-8's, Etcetera...
The '48 Cadillac had small, attractive fin-like curves on its rear fenders to house its taillights. GM styling boss
Harley Earl said he was inspired by the P-38, a twin-fuselage World War II fighter plane.
The tailfins were a trademark feature of 1950's cars and before it ran its course in the decade, it remains to this day the defining feature of one of the most curious styling fads in the history of the automobile .
Late in the preceding decade, Chrysler
took a wrong turn. It went for the old-fashioned virtues of solid construction, lots of headroom, functional styling. In short, the '49 Plymouths, Dodges, DeSotos and Chryslers' cars were excellent, but dull. Ford, which had lost the No. 2 sales position to Chrysler Corp. in the '30s, passed Chrysler in 1950.
Chrysler was made permanently a smaller factor in the U.S. market after those comfortable, but stodgy '49 models.
The other makers followed during the '50s with their own high-compression V-8s, but GM
built a strong sales lead
during those years when it not only had the automatic transmission all alone, but the high-compression V-8 also.
Packard built its last truly elegant design from '48 to '50, then it went modern, then weird, then under.
Studebaker looked to aircraft for inspiration and came up with its famous bullet-nosed 1950s cars. Very attractive in Starlite coupe form, resolutely odd as four-door sedans. For '53, Studebaker unveiled a classic coupe. It was one of the most
beautiful 1950s cars, both in its standard form and as the European-looking Hawk, but Studebaker would not survive the '60s.
The expensive model changes were bleeding it, as they did Kaiser-Frazer, Packard, and Willys.
With GM in the lead, 1950s cars got bigger, more luxurious and more powerful through the '50s. But they also became more reliable, safer and easier to drive. The American car of the '50s was probably the best for the money in the world.
Critics labeled Detroit's products "insolent chariots," but the public loved them. In 1949, new-car sales of more than 4.8
million finally topped the old record set in pre-crash 1929 by almost a million units. In 1955, sales approached 7.2 million.
Cadillac, a 1950s Outstanding Car
For most people, the name Cadillac evokes images of the finned, chromed, and gadget-laden "Fabulous Fifties" models.
The 1959 Cadillac Eldorado Biarritz embodied the extravagant, gadget-laden 1950s cars. These Caddys proved that America was emerging unscathed from the war and to the contrary, demonstrated a new-found prosperity which found expression in its cars. The Jet Age had spawned technologically advanced automobiles parked in new, sprouting suburban neighborhoods.
It was a time when Cadillac ownership conferred instant status as a symbol of wealth and achievement. Elvis Presley owned a Cadillac. So did captains of industry, Hollywood big-shots, and even the common worker who saved enough.
No other luxury-car brand had this power in the public consciousness: not Lincoln, not Chrysler's Imperial, and certainly not Packard, which quickly lost steam after 1958. And though Lincoln and Imperial would mount occasional challenges, neither came close to eclipsing Cadillac's 1950s car sales or prestige. For four decades starting from 1950, Cadillac had no serious competition in the U.S. market.
In an intriguing forecast of far-distant developments, Cadillac displayed several two-seat idea 1950s cars.
The first was the 1953 Cadillac Le Mans, which looked much like a production 1954 Eldorado on a trimmer, 115-inch wheelbase. That same dimension served the 1954 Cadillac El Camino coupe and 1959 Cadillac La Espada convertible, which previewed 1955 Cadillac production-model styling.
Wildest of all was the 1959 Cadillac Cyclone, a rocketlike fantasy with a 104-inch wheelbase, all-independent
suspension, unit construction, and a clear-plastic "bubble" top. The canopy was coated inside with vaporized silver to resist
the sun's rays, and slid away as the door was opened. And those doors were electrically operated sliding types, as on modern
Cyclone was one last hurrah from GM design chief Harley Earl, who retired in 1958. His successor was longtime understudy Bill
Mitchell, who would return Cadillac to more dignified styling in the '60s. The futuristic 1959 Cadillac Cyclone show car had a bubble top and doors that opened electronically.
The 1950's became known as the era of the dream car. One of the first postwar one-off dream 1950s cars was the 1951 GM LeSabre. Designed by GM's styling chief, Harley Earl, it had an aluminum and magnesium body, heated seats, built-in hydraulic jacks and a moisture sensor which raised the top if it started to rain. This concept car is currently on loan to and on display at the Henry Ford Museum in Michigan.
The 1956 Mercury XM Turnpike Cruiser was only 52 inches high and was surrounded by glass - the compound-curve windshield wrapped into the roof and the roof section over each door was covered a clear glass panel which raised to facilitate entry and exit. Styling foretold the look of the 1957 production Mercury. This concept car is now in private hands, awaiting restoration.
The Lincoln Futura was introduced in 1955. Fully operational, it was built by Ghia for Ford at a cost of over $250,000. It featured a Plexiglas bubble top and a 300 horsepower V-8 engine.
Very low and very swoopy, the Pontiac Club de Mer debuted at the 1956 GM Motorama. This two pasenger sports car had twin-bubble Plexiglas café racer windscreens, stood a mere 38" high and had an aluminum body, a 300 horsepower modified Pontiac V-8 engine and a DiDion independent rear suspension.
The Packard Predictor was introduced at the 1956 Chicago Auto Show. It had brushed aluminum tambor roof panels which
slid up into the roof, swivel seats, a compound-curve wrapover windshield and a reverse-slope rear window. Designed to
'predict' the look of the large series '57 Packards (which were never built), it's now in the Studebaker Museum in South Bend, Indiana.
The D-528 was a different kind of Ford Motor Co. concept car. It was never intended as a show car, but rather, was meant to be a "research project on wheels".
The most radical concept car of the 1950s was the GM Firebird III from 1958. It was powered by a 225 horsepower gas
turbine engine mated to a modified Hydra-Matic transmission. The car featured a twin bubble cockpit and ultrasonic key entry,
but the most radical feature was a joystick controller to accelerate, brake & steer.
THE V-8, MUSCLE BOOM and Hot Rods
Performance became a big part of car-marketing in the 1950s and 1960s. While the sporty two-seaters from two major
manufacturers were indeed fast (the Corvette held the fastest production-car record for some years), the sedans
weren't exactly far behind. Engine displacement had been getting larger ever since the war, and Chrysler had been adding
cubic inches as well as developing their engines internally.
A generation of young people who came of automotive age after the war were building an underground car culture based
on speed and customized older cars they called "hot rods."
Fords of the '30s and early '40s vintage were the most popular machines with the hot-rodders, because they were inexpensive
and they had V-8 engines. Hybrids were not unusual. In the middle and late '50s, high-compression Chevrolet V-8
engines became popular and a '34 Ford roadster with a Chevy V-8 and Hydra-matic drive was and is highly prized.
With the hot rods came the drive-in restaurants, a natural development in a culture fostered by the love of fast engines. Cars racing in remote country roads were becoming increasingly common; kids testing their toys, pitting speed against speed.
Many critics disapproved of this outlaw band of auto lovers, but they became a part of American culture. They were too big a
chunk of the generations now ranging from 50 to 70 to ignore. After pretending they were not there for about 20 years,
Detroit began building cars for them in the '60s
There were earlier attempts at appealing to the performance market. In '53, Chevrolet unveiled its Corvette, a beautiful
fiberglass-bodied sports car which pleased hardly anyone. It had a ho-hum six and automatic transmission.
Ford's Thunderbird, introduced as a V-8 two-seater for '55, was better received.
Over the years, the Corvette became a truly world-class sports car, while the Thunderbird developed into a luxury car. Both
were priced well out of the ordinary car range.
Death Throes Then Going 6 Feet Under
But the 1950s and '60s were also a shaking out period for the manufacturers. Ten car companies became four. The casualties
included Studebaker, Nash, Kaiser-Frazer, Hudson, Packard, Willys and Crosley.
The strategy conceived by Alfred P. Sloan and perfected by General Motors President Harlow Curtice in the '50s
was working. Sloan introduced the concept of "dynamic obsolescence" and annual model changes in the late '20s and
early '30s as a way to increase demand for new cars to higher levels. It also raised the expenditure and smaller
companies found it harder and harder to compete with big automakers with deep pockets.
The sales of luxury vehicles began to decline near the end of the 1940's and continued into the 1950's. This hurt Packard production and sales for their high-end luxury 1950s cars declined considerably. Packard's 1950s cars were built so well that they lasted for a very long time. So Packard did not have very many repeat customers because their customers did not need to purchase another vehicle. The president of Nash Motors, Mr. George Mason, had approached Packard about a merger during the early 1950s. He believed that the days of independent car manufacturers were soon to be gone. Packard was reluctant and thought otherwise.
1954 was another bad industry for the luxury car market and Nash Motors merged with the Hudson Motor Car, forming American Motors. In 1952 James Nance was elected president and general manager of Packard. In 1954, Nance merged Packard with Studebaker in an effort to diverse their product line and stimulate sales for both struggling companies. Studebaker had a larger network of dealers, a potential benefit for Packard. Unfortunately, Studebaker sales dipped dramatically and this ultimately hurt Packard more than it helped.
World War II and the Korean War had come and gone. This meant their entire defense contracts had ceased, ending nearly half a
billion dollars in income.
In 1953 Chrysler bought Briggs Manufacturing, the producer of Packard bodies. Packard was forced to find another
company to produce their bodies. None was found and Packard formed a temporary deal in 1955 with Chrysler to have them
produce their bodies.
Hudson and Nash had merged into American Motors and Studebaker and Packard had joined forces. Soon Hudson and Nash both
disappeared, replaced by Rambler, and the once proud name of Packard was affixed to some of the strangest-looking 1950s cars from Studebakers ever made. Both Packard and Studebaker were doomed.
By June of 1956, production of Packard automobiles ceased. Production of the Packard model names continued for a few years
but was adorned with Studebaker nameplates. By 1959 this style had ended and only the Studebaker name prevailed. In the early
1960's the Avanti and Lark were able to make a small profit for the Studebaker-Packard Company. In 1962 the decision was made
to drop the Packard name from the Studebaker-Packard Corporation. In 1966 Studebaker was out of business.
Kaiser-Frazer surprised every one by leading all the independent makers in production in 1947, building 144,500 cars.
Henry J. had done the impossible again. He had taken a seat in Detroit's high-stakes game.
Or so it seemed. By 1955, Kaiser-Frazer was gone (after an abortive effort to sell a small car called the Henry J through
Kaiser dealers and the Allstate through Sears, Roebuck).
1953 Packard Caribbean Convertible
What Happened to Edsel?
On September 4, 1957 the Edsel made its debut in showrooms across the country. The launch came on the heels of an
extensive, expensive and exceptionally successful marketing campaign that had everybody talking about this mysterious 1950s cars.
When September 4th rolled around consumers flocked to the dealerships in record numbers. For a day or so Edsel executives
were thrilled—until they realized that people weren’t buying
, they were only coming to look.
The public thought there was something radically new coming out. But it was really just another 1958 [model] car, just like other 1950s cars. It had more gizmos and gadgets on it but it wasn’t anything that lived up to the hype. With early sales of these 1950s cars unexpectedly sluggish, Edsel executives began to worry. Even generally positive reviews from the media weren’t enough to placate their fears.
The origins of the Edsel can be traced back to 1948 when Ford decided it needed another line to compete against General
Motors. After all, GM had Chevrolet, Oldsmobile, Pontiac, Buick and Cadillac — a family of 1950s cars where one could start out with an economical Chevy and progress up the line to a Cadillac. Similarly, Chrysler had Plymouth, Dodge, DeSoto, Chrysler and Imperial. Ford, however, was limited to Ford, Mercury and Lincoln, and was distressed that consumers were stepping outside the family between Ford and Mercury.
The high sales expectations became an issue when the economy slumped. The projection was that 200,000 1950s cars would be produced the first year. That would have represented about five percent of the total market, which was not too outrageous. However, 1958 was a very bad year for the automobile industry. Only two 1950s cars — the Ford Thunderbird and a compact called the Rambler American — saw an increase over their 1957 production.
Compounding this problem was the fact that Edsel pushed its biggest, most luxurious and expensive model first—a tough sell
against end-of-year specials in a recession year.
Without an established customer base it’s no surprise Edsel sold only 64,000 units in its first year.
Ultimately, a reputation for mechanical problems preceded these 1950s cars. The Edsel’s quality control issues were compounded by mechanics’ unfamiliarity with the car’s state-of-the-art technology. The most vexing problem was its automatic Tele-touch transmission, whereby the driver selected the gears by pushing buttons on the center of the steering wheel. "It was a pretty complicated system for its time and mechanics didn’t know how to fix it like they did other 1950s cars.
Design flaws also created issues for Edsel owners. Even the hood ornament became a safety hazard. Forty-five years later many
people assume that the car’s name played a major role in its downfall. These 1950s cars never got a footing in the tough US car market.